I have not written on either of my blogs for several months. I have been a period of fairly deep transition — no, let’s say self-examination. It’s been a few years of most of my studio work being design and craft based, while avoiding the issues and depth of the fine art-making that I associate with my woven work, and in the spring I began to feel that I was spinning off center.
|Spring Field, detail. 2014, wool with cotton & metallic, 26″ x 27″
Laura Foster Nicholson (copyright 2014)
Ever since I began weaving I felt an almost mystical connection with the process. For many years I worked almost like a demon, taking few breaks, focusing on weaving as my most important means of communication in art. I strayed off the path in the early 90’s when I bought a computerized knitting machine, and substituted knitting jacquards with deep focus. Then in the mid-90s I learned to design for and weave on the jacquard loom, and eventually segued that knowledge into founding a ribbon business, which for a number of years took up a great deal of my time.
Generally when I work through whatever it was that sparked such intense curiosity I come back to the loom full of fresh insight. After machine knitting, I rediscovered the joy of slow hand manipulated weaving with a lot of detail. After jacquard, the investigation of color re surged with great urgency.
Each time I take a break of any significance from my woven thought, I come back to it with a changed point of view, which seems to amplify the expressive powers of my chosen medium.
Now, after spending 7 years expanding my practice of textile design through ribbons and home furnishing textiles, I am finding that I need to let the artist gain precedence once again. Here is my thinking.
For me, design, while a great discipline with which I have barely come to terms, remains something which is tied to someone else’s needs. I began by working with smaller companies which, like me, valued individuality and creativity for their own sake, and the interaction with the market was a happy one, where (as it appeared to my admittedly naive eyes) the customer came because she valued what we put out there under our own terms. But now (after having read hundreds of posts and comments and opinions about the value of promotion and marketing), I feel impatient with the fickle customer, for whose favor I must fight constantly. It would seem that it is not only essential to have a broad range of styles, but one must be able to work completely in disguise as some other creature.
Maybe I am just to old and stubborn, but I see that in art, one of our primary tasks is utter honesty about what is being made, the voice that is speaking; whereas in design for the general market (I should qualify that to say “surface design”), the job seems to be to do anything to stay the most popular girl on the block.
I am aware this could seem jaded or bitter. I still very much enjoy designing ribbons and rugs, and value the support of my clients who want my work in its fullness, not a pastiche of trend. But the reinvention on a seasonal basis of style, palette, and trend are making me crave the solitude and thoughtfulness of my studio and my loom.
All this thought takes introspection, and I don’t like to write when I have nothing to say. But I’m back, and will try to stay here!