more on Villa Farsetti

Writing about the past has made me think more about that glorious time in 1985 when I was Queen for a Day. I won a prize in the Third Venice Biennale of Architecture for a set of weavings based on the Villa Farsetti in Santa Maria di Sala. A heady time: my career was just getting off the ground then, and the publicity from the prize was extraordinary and rocketed me into the next level of notariety.

I entered the competition because my husband Ben Nicholson (who has now participated in the Biennale 3 times!) was deeply involved in his own projects (at the urging of his former teacher, Daniel Libeskind, who had been invited to participate) and he thought it would fit my interests as well. I had been making weavings which were exploring gardens & architecture as subject matter, and so the idea of making a set of weavings like a set of architectural plans, about a specific place appealed greatly to me. It gave me a new method of working too, which held for many years, making cycles of work about historic places, usually with gardens, and working from plan overview into intimate detail as a kind of storytelling.

There were 9 tapestries, including the 4 shown here of the front gardens & reflecting pool; a guest wing; a green house (see earlier post); hedgerows; stables; more gardens.

The magazine article is from American Craft Magazine, Feb/March 1986, published at the time of the birth of my son, William, who is getting his BFA from School of the Art Institute of Chicago on May 16!

1 thought on “more on Villa Farsetti

  1. Ideezine

    Laura, How exciting! What a wonderful circle of life example this is. I love all the architecture, landscaping drafting classes and art I took while getting my interior design and art history degrees. How creative to weave them into tasperies.

    How fun to have a tactile softer version of a truly visual feast.

Comments are closed.