Category Archives: mindfulness

Looking for Vision

alder eye

Bird Marsh, Bloedel Reserve

Bird Marsh, Bloedel Reserve

For me and for many people I know, 2017 has proven, so far, to be a year full of dread.  The hope and creativity I reaped from an artistic retreat at Bloedel Reserve on Puget Sound last October remains a fragile flame to protect from howling winds of change around me.  I am grateful, so lucky, to have had the opportunity for that beautiful and thoughtful time, just before the election, to focus on what was important to me as an artist, and to sharpen my ability to see, and to manifest what I see in my art.

My work for many years has been more about pleasure, contentment, finding the good in my world.  It has felt solid, providing a vision of beauty as a way of making sense of what is important to me. That no longer seems to be enough.

weaving a river

Weaving a River

I recently began a weaving which, in spirit at least, felt totally new to me.  Some of the visual techniques are familiar, some  are stretching, as I struggled to manifest something deeply felt and ineffable.  I have decided that it is the world of the feeling and the spirit that have meaning for me now. How to show them?  

As I was trying to focus on how to go about the new work, I was doing my morning crossword and hit upon a clue to both a word, and to what I was thinking about: “river of forgetfulness”.  Aha. It resonates.

Crossword clue

New York Times Crossword Clue

The resulting tapestry refers to the sad, longing eyes in the alder trees which watched after me on my daily walk through the woods.  They were growing around a gloriously evocative bird marsh at Bloedel Reserve, and the knots where limbs had been were all eye shaped.  This image spoke so strongly to me I knew it was a big metaphor.

alder eye

the watching alder tree

I know it seems to be a dark work.  It hurts me to look at it.  The silver river winds among the watching trees, trying to distract from what they are seeing.

River Lethe

The River Lethe, 2017
handwoven textile 34″ x 27″

Winding the Warp, Meditation, and Yoga

Earlier this week I put my back out, badly; probably due to unwise handling of a snow shovel.  Yoga, my usual remedy, didn’t help and maybe made it worse.  Mindfulness didn’t help, nor did swimming in a blissfully warm pool.  Four days of ache, but studio work must go on.

Yesterday, having gotten the go-ahead for a lovely commission which I am really looking forward to weaving, I decided that despite the back I wanted to start winding the warp.  Many people dread this process: very repetitive, much counting.  I view it as another meditative act, requiring deep mindfulness and focus.  I do it the old fashioned way, on a warping board on the wall.

For those of you who haven’t done this, one winds the thread continuously around the pegs, spaced one yard apart, for the distance required for the length of the warp.  Down, then back up = 2 threads.  Counting is essential, and so there is a rhythm and focus required.  I have evolved a slow swaying movement of my body to follow the motion of the arm as I go back and forth, peg to peg.  It can be a beautiful process: it works best when I focus on the anticipation of weaving something wonderful.  Silence is important so I can keep count.  Please don’t write in with a better, faster, more efficient way: I need it to be like this.

Anne Wilson honored this process with a very elegant performative exhibition, first shown at Rhona Hoffman Gallery in Chicago in 2008.  She called it Wind-Up: Walking the Warp.  It featured pure maidens in white leotards reverently winding the miles of warp (later exhibitions featured community weaving of these warps).

From Wilson’s statement:  “Nine participants accomplished the performed labor or “walking the warp,” converting the front gallery into a six-day performance of walking, counting, rolling, and winding. The rhythmic act of building a 40-yard weaving warp on a 17′ x 7′ frame was viewed from the Peoria Street sidewalk and resulted in a sculptural presence within the gallery. “

I have puzzled over this project for years.  As an active weaver and devoted maker, I wondered at the pomp of her performance.  How ironic that in writing this piece today, the penny drops and I get it.  That’s right: how few people understand the depth of this slow labor.  When a blue chip art gallery puts the microscope on it, is it made more understandable, or more arcane?

Anne Wilson, Wind-up: Walking the Warp.  Rhona Hoffman Gallery, 2008
(photo by surabhi ghosh, from Wilson’s website)


But back to my back story.  The slow swaying, back and forth, back and forth, spine mindfully erect, worked out much of the misery of my pinched lower back.  Ahhh.  There is another benefit of mindful labor.